Tag Archives: theatre

BACK IN CYBERSPACE AND BACK IN THE SYDNEY OPERA HOUSE

Happy New Year! We’re diving straight back into it here, with The 13-Storey Treehouse returning to the Sydney Opera House after a sell-out season there last September/October.

Nice news too that the show has just been nominated in the Sydney Theatre Awards as Best Production for Children. And I see that Andy Griffiths’ and Terry Denton’s The 39-Story Treehouse was the best-selling Australian book of 2013. That’s not ‘best-selling children’s book’; it’s ‘best-selling book‘ – a fantastic achievement. So naturally there’s pressure on to keep the crazy plays coming.

A workshop of The 26-Storey Treehouse is next and I’m looking forward to working with the great production team.

The promo video above includes a few clips of the play, and the ‘creatives’ (don’t you like that word?) saying nice things about each other and the show.

The 13-Story Treehouse
will tour Australia during this year, playing in Melbourne, Brisbane, Perth and Adelaide as well as regional towns. For the full touring schedule, CLICK HERE.

And for those able to catch the madness in Sydney, bookings for the Opera House in January can be made HERE.

This shameless self-promoting plug is now over (if you don’t do it yourself, who else will?) so I can wish everyone a great 2014!

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THEATRE REVIEWS – praise be to bloggers and tweeters!

Alison Bell, Matthew Whittet, Peter Carroll and Claire Jones in The Book of Everything. Photo: Heidrun Lohr.

Alison Bell, Matthew Whittet, Peter Carroll and Claire Jones in The Book of Everything. Photo: Heidrun Lohr.

Writers are a needy bunch. Releasing our work into the world begins with vanity, hope or a desire to engage, and having taken the plunge we’re pathetically grateful if people tell us they enjoy it.

It’s nice if ‘people’ means ‘thousands of people prepared to buy our books or tickets to our plays’, but even two or three supporters will do, as long as they rave about our brilliance and are not just saying that because they’re our parents.

Which is why, when a new play of mine opens, I love reading what people think about it on blogs, Twitter and FaceBook. Continue reading

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CRY ‘HAVOC’ AND LET SLIP THE FLYING CATS!

Superfinger, the greatest hero in the history of Handkind!

Luke Joslin is Superfinger, the greatest hero in the history of Handkind!

Okay here we go! It’s more than a year since I began working on the stage version of The 13-Storey Treehouse and this week we finally start performing it.

We can hardly wait. Continue reading

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MR BIG NOSE – my stage comeback after a 30 year break.

Mr Big Nose lays down the law. If this show fails, Andy and Terry are going back to the Monkey House.

‘And you should be VERY nervous, Andy and Terry, because the future of Big Nose Productions depends on you!’



‘You look like Anthony Hopkins in ‘Silence of the Lambs’, says Mevrouw T. That’ll do. I’m supposed to be a seriously scary character.
Continue reading

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MY NEW PLAY – in the Sydney Opera House

13_Storey_Treehouse_700X394

Curse you, Andy Griffiths and Terry Denton! How can you be so irresponsible, apparently chucking random words and incoherent stories into books with hastily scrawled drawings, and yet be so damn successful?

You are among Australia’s and the world’s best-selling authors and illustrators, but your plots are sadly thin, your characters have neither depth nor development and your stories have no uplifting, educational messages for young readers. And they’re totally impossible to adapt for the theatre.

It must seem oh so easy to you. You just write in a book: ‘suddenly along came a squadron of flying cats, a mermaid, a sea monster, hundreds of monkeys and a giant gorilla.’ I bet you have a good old giggle thinking these things up.

Then some poor playwright like me has to work out a way for it to all happen, live on stage, twice or even thrice a day, with barely time to sweep up the broken glass between performances. Continue reading

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A NEW PLAY WORTH A PLUG

He's nothing but hands and a couple of little torches, but you come to love him.

He’s nothing but hands and a couple of LED lights, but you come to love him.

I wish I could be in Brisbane next week when a new show from Dead Puppet Society opens in the Brisbane Powerhouse as part of the Power Kids festival.

I had the pleasure of spending a week earlier this year working on Argus as dramaturg in a creative development workshop. I loved this process. Continue reading

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