Empress Falls, Blue Mountains, NSW.
Camera in point and shoot mode, letting the mist provide the blurring and the magic.
It was a good day for taking photos of waterfalls yesterday.
I’d read a bit about how to do it, and practised the technique with a bathroom tap, trying to get that smooth, soft water effect that seems to be compulsory for waterfall shots in magazines.
And where better to try it for real than on a hike with my fellow amateur snapper Duncan down the evocatively named Valley of the Waters, in the Blue Mountains just outside Sydney? Here’s what we learned… Continue reading
It all looks so good, but getting the ideal shot is very tricky.
I crouch in the shrubbery, attempting to keep the drips off the camera while getting a shot of a little waterfall. Water glistens on dark rocks, bright ferns contrast with the white spray and there are flashes of rusty reds in the sandstone cliffs towering over us.
The scenery is brilliant, so why is making a satisfying photo in the Blue Mountains so hard?
‘Have you noticed there are hardly any good paintings of the Blue Mountains either?’ observes my friend and walking companion Duncan.
He’s right. The great Australian landscape painters, Fred Williams, Arthur Boyd, Albert Namatjira, Arthur Streeton, to name a few among many, usually choose as their subjects desert and open hillsides rather than clifftop views, dark gullies, deep forests and gushing waterfalls. Why should that be? Continue reading