I crouch in the shrubbery, attempting to keep the drips off the camera while getting a shot of a little waterfall. Water glistens on dark rocks, bright ferns contrast with the white spray and there are flashes of rusty reds in the sandstone cliffs towering over us.
The scenery is brilliant, so why is making a satisfying photo in the Blue Mountains so hard?
‘Have you noticed there are hardly any good paintings of the Blue Mountains either?’ observes my friend and walking companion Duncan.
He’s right. The great Australian landscape painters, Fred Williams, Arthur Boyd, Albert Namatjira, Arthur Streeton, to name a few among many, usually choose as their subjects desert and open hillsides rather than clifftop views, dark gullies, deep forests and gushing waterfalls. Why should that be? Continue reading